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Lilla Szabó

FlagHungary, Budapest Budapest NoteCello

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Lilla SZABÓ was born into a family of cultur and classical music lovers in Hungary in 2003. She began her cello studies at age 9. From 2012 to 2018 she learned under the guidance of prof. Gabriella Kanfi at Kispest Primary School of Art - Budapest, and she received coaching from prof. Ádám Jávorkai. Since 2018 she was taught by the great hungarian cellist prof. Péter Szabó at the Leó Weiner Catholic School and High School of Music in Budapest.

She is a laureate of several international competitions in 2021 including a 1st prize of “London Young Musician Online Seasonal Music Competition & Award - Season 3“, in 2020 including a 2nd prize of “KPIMC Competition King's Peak International Music Competition“, 2nd prize of “The North International Music Competition“, 2nd prize of “V. DANUBIA TALENTS International Music Competition“, Gold prize of “Music@e-Contest 2020“, 1st prize of “London Young Musician Online Seasonal Music Competition & Award - Season 2“, 2nd prize of “I. Brussel International Music Competition”, 3rd prize of “V. Geneva International Music Competition”, 2nd prize of "The MUSE 2020 International Music Competition", 3rd prize of "The North International Music Competition", 2nd prize of “VII. Rome International Music Competition”, 1st Prize of „VIII. WWWSTAR International Music Competition”, 3rd Prize of „Gustav Mahler Prize Cello Competition”, a 1st Prize „Leo Weiner Conservatory Music Competition” and in 2019 a 2nd Prize of „Concorso Internazionale per Giovani Strumentisti” in Italy.

Lilla Szabó has attended masterclasses hosted by prof. Ildikó Szabó and Péter Szabó at Cellissimo Academy, Budapest (2019, 2020) and Prof. Reinhard Latzko, Ádám Jávorkai and Mr. Zoltán Onczay at Gutensteiner Meisterklassen, Austria (2018, 2019).

Lilla Szabó has performed with Budapest String Chamber Orchestra and Leo Weiner String Orchestra, she enjoys an active and multifaceted presence on the stage.

As sensitive and creative soloist and enthusiastic chamber musician she makes it her goal to build bridges between each work and the audience, enabling the listener to completely engage with the music.

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